Luis Alcoriza is best known for his script collaborations with fellow Spaniard Luis Bunuel, having worked on some of Bunuel's more intriguing Mexican films. But in his later life, Alcoriza emerged as one of the leading scenarists of modern Mexican cinema. After 1962 he scripted a number of important films (most of which he directed himself), which are his own peculiar blend of ...
妖言惑众者杀～
有时候我觉得马尔克斯很接近人类文明深层的那些东西，就像是人们会因为恐惧因为一个希望聚集成村落，又会因为恐惧因为一个恶兆互相猜疑伤害最终使村落分崩离析，但有时候我也觉得他很浅，对于那些人来说，村落真是必要的，是重要的吗？
清晰的西班牙语。。人性
还是太粗糙了些
改编自马尔克斯的小说，很好地保留了富有特色的群像描摹，在贫穷的灰土中忍受煎熬的动物之眼（骡子、猫头鹰、狗、乌鸦），见证了一则被事先张扬的无稽“预言”如何起于青萍之末，渐成风雨欲来之势，终至翻滚成暴动的怒火，一张张被骄阳烤炙的麻木表情因恐惧引发狂躁，具象演绎个体在群体暴力生成被裹挟。 窒息的拉美小镇噩梦氛围，“恶兆”是藏匿于人们心底的一株火苗，贪婪、欲念、仇视、愚昧、嫉妒、愤怒导致的罪孽在小镇各处暗自发酵；超验的幻觉生成——“死人回来了”和莫名失踪的女孩依稀可见原著底色。