二战时期，男孩乔乔(戴维斯)和母亲(斯嘉丽)生活在纳粹德国统治下，他不知道母亲在家中藏着一个犹太女孩(麦肯齐)，而母亲秘密为抵抗军工作。乔乔渴望加入希特勒青年团，他脑内出了一个颠覆版的希特勒，这个希特勒有魅力、傻傻的、天真可爱，是他的朋友，帮助他应付生活中的困境。
I was expecting something properly controversial here with all that fuss, instead I saw the safest, perhaps most unoriginal way of making fun of the Nazis. Scarlett Johansson's character, with a perception that's clearly modern and new, is completely out of place. The entire Nazi environment depicted in the film was made up purely of the writer's tabloid, superficial (mis)understandings of Nazism. Filled with hackneyed symbolism and plain kitsch, there's absolutely nothing bold or adventurous in this film (the only 'good' nazi has to be a gay, how surprising). Anyone who says this film works against political correctness doesn't know the first thing about contemporary politics.
其实不是太搞笑，更像我这个年龄人曾遭遇过的那个时代。偏见、愚昧、疯狂是以英雄梦的方式植入到脑海中的，对于没有抵抗能力的孩子来说，一生都要面对自我否定和寻找自我的困境。这是一部在笑的背后隐藏着沉痛的故事，但愿这个故事只能让后来的人们感到可笑而已。
“鞋子”那场戏拍的太好了，心碎又温柔，镜头到底也没移上去，真是善良的导演。
就鄙人最近在电影院的观察，论超级英雄再就业，黑寡妇做的可比钢铁侠好太多了。
小朋友很可爱，但总觉得这样讲述用力过猛了些，或许是因为我总觉得孩子其实更复杂得多。