The Last Mango Before the Monsoon has no central character, narrative arc or clear progression. Its scenes are non-linear and flow freely into one another. Rather than being a weakness, this is precisely the film’s strength. The film is perhaps the first clear example in Kapadia’s filmography of how sound can lead the process of image-making, with densely layered aural textures...
新导演的短片不可以沦为一个融合诸多大师风格，但影像之间毫无连接的拼图。
缺了某种东西，放置在导演短片集中观看似乎更有意义。
爱惨热带季风气候，follow这位导演了
有些喜欢，慢悠悠的
像看完阿彼察邦后做的梦